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Product details

File Size: 10372 KB

Print Length: 258 pages

Publisher: Scribner; Reprint edition (June 27, 2009)

Publication Date: July 14, 2009

Language: English

ASIN: B002F08230

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Amazon Best Sellers Rank:

#144,990 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

One star for this gem of English literature? Yes, if you are considering the paperback edition with the orange-ish cover with a photo of a walkway by the Seine, BEWARE. "All of the s adnes s of the city came s uddenly with the firs t cold rains of winter . . . . " Even my auto-correct tries to fix this! Hemingway wrote a cozy, wonderful piece for those curious for from what "Midnight in Paris" hails, an insider's flawlessly written account of those heady years when everyone who was anyone was living in Paris. But in this miserably typefaced edition, there is a space after every single "s" in the entire book. There is no publication page (with the date, location of publication, etc). It is not appended with Hemingway's additional musings, as is the hardcover. I purchased this as a gift, thinking a paperback would suffice. Who can read anything published this way? Do NOT purchase it. Amazon, FIX THIS.

This is a posthumous book comprised of fragments. Some of the writing is crisp and brilliant; other parts are morose and sophomoric. But overall, we get a good glimpse of Hemingway's mostly happy years in Paris in the mid twenties. The author claims there is more fiction than fact, an arbitrary and unexplained process where he chooses who and what to include and what to leave out. He claims that Ezra Pound and F. Scott Fitzgerald were very close friends, and yet the descriptions of the former are fleeting and those of the latter rather depressing and uncomplimentary. He seems to enjoy trashing Ford Maddox Ford. Sketches of Gertrude Stein and Sylvia Beach are mostly positive, although he gets some digs in on Stein at the end. Vignettes about horse racing, boxing, skiing, drinking flesh out some of the author's interests and milieu. The description of some by now obscure painters and writers shows rapier wit and description.The clear draw is insight into the writer's early life in a marvelous city most of us love. We must keep in mind he was in his mid-twenties too, and not yet an established author. Physical and mental scars from WWI had not healed. Themes of mental illness and alcoholism are explored in other people, not himself.The great cafes of Montparnasse and Saint Germaine remain, somewhat gentrified, perhaps still a stage for all the diverse people who frequent them. Today's artists and writers probably can't afford to live in Hemingway's old neighborhoods, but they are somewhere within the Peripherique, recording their Paris. The author would understand.Affection for his first son and first wife, "the heroine" of the book abound. There are some interesting insights into the craft of writing. The overlong introduction and postscripts by his relatives may or may not be of interest to the reader who is not "a scholar". For those who love the city, and/or the author, there is much here to savor and some to ignore.

Back some twenty years ago the wonderful Joan Didion wrote an article in the New Yorker about Ernest Hemingway and the commercialization of his material that he never felt was ready for publication in his lifetime, but publishers and those in charge of his estate had no problem publishing and, worse, had other writers finish novels that Hemingway started and never finished. After reading that piece, I never read another novel by Hemingway published after his death, except of course for "A Moveable Feast."I had read "A Moveable Feast" a number of times before reading this article and never once did I doubt that every word in that amazing memoir about Paris in the 1920's was all Hemingway. Recently, I received as a gift a restored edition of Hemingway's classic and my first instinct was simply to read the first nineteen stories which made up the original book published three years after his death in 1964, and to skip the other stories which seem to have magically appeared after 40 years.A Hemingway enthusiast, like myself, swore to me that he had read the restored edition and he had no doubt that the new stories were definitely Hemingway, all Hemingway. Reluctantly, I gave in and read the additional stories and to my surprise, I had to agree with my friend. I thoroughly enjoyed them and they were most definitely all Hemingway."A Moveable Feast" is truly one of the outstanding memoirs written by any writer. The stories involve some of the most famous writers and personalities of the 20th century ... Joyce, F. Scott Fitzgerald, Ezra Pound, Ford Madox Ford, Gertrude Stein, and Sylvia Beach yet at the very heart of all these stories is Hemingway's undying love and remorse at leaving his first wife Hadley. She is the heroine at the heart of this wonderful collection and Hemingway makes that perfectly clear.It is impossible to read many of these stories without shedding tears. It is as truthful and honest as anything I have read, and there was nothing more important to Hemingway as a writer than honesty.

I love this book. I am not sure why I ddin't read it a long time ago, but I am glad that I finally got around to it. This book is like a mini-vacation, roaming around Paris in the 20's with Earnest Hemingway and all of his starving artist friends. It is a natural companion to "The Paris Wife", which was very popular a few years back. I wish I had read this book before we visited Paris last summer. As far as I can tell, a lot of Paris is unchanged, and we stayed on the left bank where we followed in many of Hemingway's footsteps. I also enjoyed reading "The Lodger," a book which Gertrude Stein recommends to Hemingway when they discuss the best books that they have been reading. It was a lot of fun, feeling like a member of the Hemingway and Gertrude Stein book club, and extended my adventure.

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